FIRST MÉTIS MAN OF ODESA
FIRST MÉTIS MAN OF ODESA
BY MATTHEW MACKENZIE AND MARIYA KHOMUTOVA
Directed by Lianna Makuch
A LOVE STORY IN THE FACE OF A PANDEMIC AND AN INVASION.
Matt and Masha’s love spans continents, but distance can’t tame their passionate connection. After meeting on a theatre research trip in Kyiv, a Canadian Playwright and a Ukrainian artist spark up a romance that takes them from the beaches of the Black Sea to the banks of the North Saskatchewan River, through the onset of a global pandemic and the eruption of a brutal war, plus many moments of joy through it all including marriage and the birth of their son.
Winner of three Dora Mavor Moore Awards including Outstanding Production, Outstanding New Work, and Outstanding Direction. Based on actual events, this captivating real-life love story is set against the backdrop of the COVID pandemic and the Russian invasion of Ukraine. Award-winning playwright Matthew MacKenzie joins forces with his wife, award-winning Ukrainian actress Mariya Khomutova, to tell the story of their COVID courtship and share an intimate perspective on the personal impacts of the war in Ukraine.
Written and Performed by: Matthew MacKenzie and Mariya Khomutova
Directed by: Lianna Makuch*
Set/Lighting Design by: Daniela Masellis
Projection Design by: Amelia Scott
Composition by: Daraba
Sound Design by: Aaron Macri
Choreographed by: Krista Lin
Stage Managed by: Lore Green*
Rehearsals Stage Managed by: Kiidra Duhault
Production Managed & Technical Directed by: Trent Crosby
Associate Design by: Cameron Fraser
Design Consultation & Scenic Artwork by: Dawn Marie Marchand
Beadwork by: Maria Nelson & Krista Leddy
Dramaturgy by: Matt McGeachy
Produced by: Sheiny Satanove
Associate Produced by: Alyson Dicey
Associate Produced by: desirée leverenz
Head Scenic Painting by: Emily Randall
Painting by: Amy Powell & Ashley Hiibner
Drape Stitching by: Theatre Garage
Fabrication by: art lab
*The participation of these Artists is arranged by permission of Canadian Actors’ Equity Association under the provisions of the Dance Opera Theatre Policy (DOT).